Why Do We Love Scary Stories?

October 13, 2023 | 5 min read

 

Happy Friday the 13th! It's the perfect day to delve into the spookiest genres. 👻

Why Do We Love Scary Stories?

A fascination with the dark and macabre has deep roots in human psychology and culture. At a very simple level, being scared can trigger an adrenaline rush, which is a visceral, exciting experience — enjoyable for many people.

Reading and writing horror also often serves as a form of emotional release, in which people can confront and process their own fears in a controlled and safe environment. In other words: we can experience danger from a safe distance. Through this experience, we also learn a little about ourselves: How do we react to fear? What does it feel like? How much can we take? Humans are naturally curious, so confronting the unknown and scary “what-ifs” through fiction is enticing.

To find out a little more, we spoke with two spooky authors in the Freewrite Fam about what makes scary stories so tempting to us mortals. We also discussed their writing processes and what's next on their journey into the horrific.

Without further ado, meet Briana Morgan and Connor Metcalf!

Spookier Than She Looks: Briana Morgan

Briana Morgan has more than a decade of experience scaring herself and others. She's also an active member of the Horror Writers Association. And she's spookier than she looks...

Who are some of your favorite horror authors?

Some of my literary influences include Shirley Jackson, Stephen King, Gemma Amor, Laurel Hightower, and Daphne du Maurier.
 
Why do you think people are drawn to scary themes?

Spooky stories allow us to explore the darker parts of life without risking harm. They provide a safe space for self-exploration, empathy, and growth. Plus, it’s thrilling to be scared (pun intended).

What does your writing life look like?

Until two weeks ago, I was a technical writer for the day job. Now, I’m a full-time horror author. I try to publish at least one book per year, which is mostly within my control because I’m self-published. While my writing is for publication, I write for myself first. If you don’t enjoy writing, then what’s the point?
 
Process wise, I write at least 2,000 words per day on my Traveler when working on a first draft. If I’m editing, I edit for an hour or two per day.


Tell us a bit about your books.

I’ve published eight books. They’re available everywhere in paperback and audiobook form, and ebook only on Amazon. My book The Tricker-Treater and Other Stories won a Godless 666 Award for Best Audiobook, and my latest, The Reyes Incident, has sold more than 16,000 copies to date.

Anyone who has read my work knows I love character-driven horror. I like a slow burn with personal stakes and flawed people you still root for.

And what are you working on now?

Now, I’m working on a new project, an adult horror novel about a reality TV show on a deserted island that goes horribly awry.

That sounds delightful. Or, not so delightful, really. But spooky. And sometimes that's delightful!

Briana Morgan has a BA in English and Creative Writing from Georgia College & State University. When not writing, Briana loves reading disturbing fiction, playing video games, and spending time with her new husband.

Learn more about Briana on her website, or follow her on Twitter, Instagram, or TikTok. Sign up for her newsletter at substack.com/@brianamorgan.

 

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Embracing the Macabre: Connor Metcalf 

Connor Metcalf just finished his debut novel, a sprawling coming-of-age dark fantasy of 98,000 words, on his Freewrite. But what draws him to dark stories?

What genre do you write?

The book I just finished was a horror novel, but of the story’s own volition, became a dark fantasy. However, I'd like to think of the two genres as siblings. Tried and true horror novels didn't necessarily inspire me.

Who are some of your inspirations?

Without a college education, I am perhaps not the typical novelist. I never thrived in school. It wasn't the right environment for me to learn. Instead, my writing stems from reading — a lot of it. Bulgakov, Rushdie, Miller, King — they were my college professors, and they did better for me than any classroom ever could.

Mikhail Bulgakov's The Master and Margarita, Leigh Bardugo's Ninth House, and Gillian Flynn's Sharp Objects were all in mind while I was writing my last book — each having varying horror elements, from playful to grotesque.

Why do you think you are drawn to those themes?

God. I was terrified of everything as a child, but for some reason, I always begged my parents to take me to see horror movies. Of course, I would be completely distraught afterward — terrified to even sleep in my room.

I can't say the exact moment, but a switch went off at some point during adolescence. My fear had exited the building. I embraced the macabre and the horrendous and found it, quite frankly, so exciting. There really is nothing like it when horror is properly executed!

Tell us a bit about your writing life.

The ultimate goal is to be published, but there's also a deep-seated compulsion to write and a passionate love for the craft. Most recently, I’ve been writing all day. I start around 10 a.m., go until 4:30 p.m., take a break to work out, and then get in another session after dinner. I was utterly obsessed with my most recent project, which heavily influenced the long hours. We'll see if that changes for the next novel.

My most recent story landed in my lap from out of nowhere on the same day my Traveler arrived. Coincidence? I think not. I ran with it, and at 98,000 words, I'd say it was a successful venture!

Traveler is the only product I own of the Freewrite family, but after playing an instrumental role in pushing me to write my book, I'm considering upgrading with the Lemon Smart Typewriter. I deserve it, right?

What are you working on right now?

I'm in the process of editing a novel that I keep saying is finished but isn't technically complete. The story is finished; it’s just being buffed and polished. It's a dark fantasy novel that focuses on the coming-of-age journey of a closeted high school senior in Orange County, CA, set during the summer of 2003. The protagonist is the prime target of a malevolent woman who happens to be taking over his community.

Wow. We can't wait to read it!

Connor Metcalf lives and writes in L.A. He's found the process of writing his first book to be a profoundly rewarding experience, and he can't wait to continue his literary adventure. He's now in the trenches of the query-crafting process and looking toward his next project. Follow Connor on Instagram or LinkedIn.

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But what if, in the future, your choice had larger implications on the state of literature as a whole?

This is the question that’s being raised from a new study by the University of Exeter Business School: If you could use AI to improve your own writing, at the expense of the overall literary experience, would you?

Let’s explore some context before you answer.

The Set Up

The 2024 study recruited 293 writers to write an eight-sentence “micro” story. The participants were split into three groups:

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  • The opportunity to get up to five AI-generated ideas to inspire their writing

Then, 600 evaluators judged how creative these short stories were. The results confirmed a widely accepted idea but also offered a few surprising findings.

Prompts from AI Can Jumpstart the Creative Process

Right off the bat, the reviewers rated the AI-guided stories as being more original, better written, and more enjoyable to read. (Interesting to note that they did not find them funnier than the fully human-inspired stories.)

This actually isn’t that surprising. Most writers know the “blank page dread” at the beginning of a project. Even as I write this, I can’t help but wonder, “If I had been tasked with writing an eight-sentence story, what the heck would I have written about?”

Many writers share this sense of needing to pick the “right” story to tell. And that uniquely human concept of perfectionism can end up actually inhibiting our creative process.

A prompt, then, can help us quickly clear this mental hurdle. To test this, I’ll give you one, courtesy of ChatGPT: “Write a story about a teenager who discovers a mysterious journal that reveals hidden secrets about their town, leading them on an unexpected adventure to uncover the truth.”

Can you feel your creative juices flowing already?

Since its release, AI has been celebrated for its ability to assist in idea generation; and this study confirms how effective using artificial intelligence in this way can be for writers — some, it seems, more than others.

AI-Generated Ideas Helped Less Creative Writers More

It doesn’t feel great to judge a writer’s creative prowess, but for this study, researchers needed to do just that. Prior to writing their short stories, the writers took a test to measure their creativity.

Researchers found that those considered less creative did substantially better when given AI-generated ideas — to the point where getting the full five ideas from AI “effectively equalizes the creativity scores across less and more creative writers.”

This isn’t the case just for writing. Another study by the National Science Foundation Graduate Research Fellowship WZ also found that AI tools most benefit employees with weaker skills.

So is AI leveling the playing field between okay and great writers? It seems it may be. But before we lament, there’s one more finding that proves using AI isn’t all perks.

AI-Aided Stories Were More Similar — And Needed to Be Credited

The researchers took a step back to look at all the AI-supported stories collectively. And what did they find?

The AI-assisted stories were more similar as a whole, compared to the fully human-written stories.

Additionally, when reviewers were told that a story was enhanced by an AI idea, they “imposed an ownership penalty of at least 25%,” even indicating that “the content creators, on which the models were based, should be compensated.”

This leads us to that all-important question about AI-assisted work: who owns the content?

According to Originality.AI, an AI and plagiarism detector, “When there’s a combination of AI and human-generated elements, the human elements may receive copyright protection if they meet the requirements.”

So right now, if a writer uses AI to generate ideas — but writes the content themselves — they retain rights to the work.

However, Originality.AI even admits that “the legal system is having a hard time keeping up” with the rapid adoption of artificial intelligence. Time will only tell what AI regulations will look like in a few years.

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The researchers from the University of Exeter Business School study raise an interesting point about what the future landscape for writers may look like. If droves of authors begin using AI to come up with ideas, we may end up with a lot of well-written yet dime-a-dozen stories.

So will human beings choose the easier, but less diverse, path? Or will we stick to fighting through writer’s block armed with nothing but our own brain?

Or, a third option: can we somehow learn to harness AI to supercharge our writing process without sacrificing the wholly unique creativity that infuses human creation?

That’s one question that even ChatGPT can’t answer.

Editor's Note: Artificial intelligence may have already transformed writing, but that doesn't mean you shouldn't be in control of your own words. Read Astrohaus Founder Adam Leeb's statement on AI and privacy.

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