How to Use The Snowflake Method to Write Your Book

March 19, 2020 | 6 min read

There’s a proverb that says “a journey of a thousand miles begins with a single step.” In other words, however long and difficult the task, it has to start with one simple action. If sitting down to write 60,000+ words feels like that proverbial journey, then The Snowflake Method of planning your book might be right for you.

The Snowflake Method was invented by Randy Ingermanson, a theoretical physicist who, for reasons not even clear to himself, suddenly developed the burning desire to write a historical suspense novel. His first attempt was (in his own words) “horrible drivel”, but undeterred, he persisted for ten more years, working hard at improving his craft until an agent finally took a chance on him and got his first book into print.

Suddenly – again for reasons he cannot understand – people started asking him to speak at writing conferences, and he discovered a passion for teaching fiction. That’s when he put an article on his website about his method of writing a novel, which he had named “The Snowflake Method.” The rest, as they say, is history. 

So, what is The Snowflake Method? As the name suggests, it’s a way of writing a book that mirrors the way a snowflake forms. First, a droplet of water freezes to a particle of dust, creating an ice crystal. As this crystal moves through the atmosphere, water vapor freezes to the outside of it, growing and building the flake’s unique structure. In this analogy, your story’s premise is the original ice crystal, and you build outwards from there.

Let’s cover each step of The Snowflake Method in detail. If you follow these steps faithfully, you’ll complete the entire process of planning and writing your book.

Step one: Write a one-sentence summary

Recommended time – 1 hour

In one short sentence (try to keep it to 15 words or less), describe the premise of your novel. Don’t worry about character names right now – just concentrate on who they are and what challenges they face. Ingermanson suggests looking through the New York Times’ Best Sellers List to see some great examples. For instance, their summary for American Dirt by Jeanine Cummins is simply, “A bookseller flees Mexico for the United States with her son while pursued by the head of a drug cartel.” 

Step two: Write a one-paragraph setup

Recommended time – 1 hour

Once you’ve distilled your premise into a single sentence, the next step is to expand it into a paragraph of around five sentences. The first sentence should set up your story, and the next three should outline the conflicts/disasters/problems that arise throughout the novel. Finally, the fifth sentence should wrap up everything that happens. 

Step three: Introduce your characters

Recommended time – 1 hour per character

Now that you know the story you’re going to tell, you need to start thinking about your characters. For each one, create a one-page summary that contains:

  • Their name
  • A brief sentence about their storyline
  • Their motivation
  • Their goal
  • Their conflicts or challenges
  • What they learn or how they change throughout the story
  • A more in-depth paragraph about their storyline

These character overviews don’t have to be perfect right off the bat – feel free to revisit and refine them as you work through the process. The more you think about your characters and how they fit within your story (and with each other), the more evident it might become that elements of your original setup to change. Now is the best time to do that, before you invest hours and hours writing the first draft!

Step four: Write a one-page summary

Recommended time – 3-4 hours

Now you’re getting deeper into the business of building up the structure of your novel. Take your one-paragraph setup from step two and turn each sentence into a paragraph. Here, your first paragraph sets the scene, and the next three explore the different challenges and conflicts that your characters experience. The final paragraph explains how everything comes together and how the story ends. When you’re done, you should have approximately one page covering your story from start to finish.

Step five: Create your individual character stories

Recommended time – 1-2 days

Next, you’re going to do the same fleshing-out exercise with each of your characters by writing a one-page synopsis for each major player that tells the story from their perspective. Do the same thing, but shorter, for the minor players in your novel. Don’t forget that you can return to steps one through four at any time during this stage to make changes as you start to learn more about each character. 

Step six: Create your synopsis

Recommended time – 1 week

This step involves taking your one-page summary and each of your character’s story threads and combining them to create a four-page synopsis. Here is where your story really starts to come together, and you can see the way all the elements interact. You’ll probably discover that you want to go back and make some adjustments to the previous steps so that everything fits.

Step seven: Expand your characters

Recommended time – up to a month

It’s time to get to know your characters better and create detailed sheets for each of them. Include every little detail, like how old they are, what they look like, their likes and dislikes, their motivations, dreams, goals and fears. What experiences shaped them? What kind of personality do they have? What are their qualifications? Do they have any odd quirks? This might seem like a time-consuming activity, but it saves you even more time once you finally start writing your first draft, because you’ll have a fantastic handle on everybody, and you’ll have already tweaked your story summary and synopsis to accommodate any revelations that come out of this process.

Step eight: Create a spreadsheet of scenes

Recommended time – up to a week

Before you jump boots and all into your first draft, you may find it helpful to plan out all your scenes in a spreadsheet. Assign one row to each scene, with one column for the POV character and another column to briefly describe what happens in the scene (just a sentence or two). If your descriptions run off the page and you don’t want to be constantly scrolling from left to right, ensure you have “wrap text” enabled. Use your four-page synopsis to help you create this list. While it might seem odd to use a spreadsheet for this task, it helps to keep everything visually neat, and it’s easier to move scenes around as required. You can add extra columns for things like how many pages each scene might fill and what chapter it belongs to.

Step nine: Expand your scenes

Recommended time – 1-2 weeks

You might be ready to start writing now, but if not, this optional step helps you to prepare even further. It involves taking each brief scene description from your spreadsheet and writing several paragraphs describing the scene. Here’s where you can start jotting down snippets of dialogue and confirming the purpose of the scene – what’s the essential conflict? If you can’t find a purpose for the scene, then you will either need to add one or remove the scene from the story. You should start each scene on a separate page or in a separate document. Ingermanson recommends printing them all out and putting them in a loose-leaf binder so that you can jot notes on them and swap scenes around easily.

Step ten: Write your book!

Now you have all the tools to write your story, and this part of the process is going to be much quicker because you already know who is doing what and when. There will still be little details to work out along the way, but you’ve already done the hard work, so any decisions required at this point will be small.

The Snowflake Method isn’t just good for starting from scratch. You can also use it to finish a half-written novel if you’ve lost your way, or to polish a completed novel so that your story is tighter and more cohesive. 

If you’ve had a story floating around in your head but felt overwhelmed by the enormity of writing a book or just didn’t know where to start, The Snowflake Method’s system of breaking it down to its smallest step might be just what you need to finally get writing.

Recommended articles

More recommended articles for you

September 05, 2024 7 min read

Everyone has a pandemic story because it's hard to forget. I remember the quickness of it all — societal norms flipping, turning, and somersaulting, which still makes my head spin. "Stuff is gonna get weird," I remember telling my friend. "Especially art."

August 29, 2024 4 min read

Right now, the choice for a writer to use artificial intelligence (AI) or not has been largely a personal one. Some view it as a killer of creativity, while others see it as an endless well of inspiration.

But what if, in the future, your choice had larger implications on the state of literature as a whole?

This is the question that’s being raised from a new study by the University of Exeter Business School: If you could use AI to improve your own writing, at the expense of the overall literary experience, would you?

Let’s explore some context before you answer.

The Set Up

The 2024 study recruited 293 writers to write an eight-sentence “micro” story. The participants were split into three groups:

  • Writing by human brainpower only
  • The opportunity to get one AI-generated idea to inspire their writing
  • The opportunity to get up to five AI-generated ideas to inspire their writing

Then, 600 evaluators judged how creative these short stories were. The results confirmed a widely accepted idea but also offered a few surprising findings.

Prompts from AI Can Jumpstart the Creative Process

Right off the bat, the reviewers rated the AI-guided stories as being more original, better written, and more enjoyable to read. (Interesting to note that they did not find them funnier than the fully human-inspired stories.)

This actually isn’t that surprising. Most writers know the “blank page dread” at the beginning of a project. Even as I write this, I can’t help but wonder, “If I had been tasked with writing an eight-sentence story, what the heck would I have written about?”

Many writers share this sense of needing to pick the “right” story to tell. And that uniquely human concept of perfectionism can end up actually inhibiting our creative process.

A prompt, then, can help us quickly clear this mental hurdle. To test this, I’ll give you one, courtesy of ChatGPT: “Write a story about a teenager who discovers a mysterious journal that reveals hidden secrets about their town, leading them on an unexpected adventure to uncover the truth.”

Can you feel your creative juices flowing already?

Since its release, AI has been celebrated for its ability to assist in idea generation; and this study confirms how effective using artificial intelligence in this way can be for writers — some, it seems, more than others.

AI-Generated Ideas Helped Less Creative Writers More

It doesn’t feel great to judge a writer’s creative prowess, but for this study, researchers needed to do just that. Prior to writing their short stories, the writers took a test to measure their creativity.

Researchers found that those considered less creative did substantially better when given AI-generated ideas — to the point where getting the full five ideas from AI “effectively equalizes the creativity scores across less and more creative writers.”

This isn’t the case just for writing. Another study by the National Science Foundation Graduate Research Fellowship WZ also found that AI tools most benefit employees with weaker skills.

So is AI leveling the playing field between okay and great writers? It seems it may be. But before we lament, there’s one more finding that proves using AI isn’t all perks.

AI-Aided Stories Were More Similar — And Needed to Be Credited

The researchers took a step back to look at all the AI-supported stories collectively. And what did they find?

The AI-assisted stories were more similar as a whole, compared to the fully human-written stories.

Additionally, when reviewers were told that a story was enhanced by an AI idea, they “imposed an ownership penalty of at least 25%,” even indicating that “the content creators, on which the models were based, should be compensated.”

This leads us to that all-important question about AI-assisted work: who owns the content?

According to Originality.AI, an AI and plagiarism detector, “When there’s a combination of AI and human-generated elements, the human elements may receive copyright protection if they meet the requirements.”

So right now, if a writer uses AI to generate ideas — but writes the content themselves — they retain rights to the work.

However, Originality.AI even admits that “the legal system is having a hard time keeping up” with the rapid adoption of artificial intelligence. Time will only tell what AI regulations will look like in a few years.

What Does an AI-Assisted Literary Future Look Like?

The researchers from the University of Exeter Business School study raise an interesting point about what the future landscape for writers may look like. If droves of authors begin using AI to come up with ideas, we may end up with a lot of well-written yet dime-a-dozen stories.

So will human beings choose the easier, but less diverse, path? Or will we stick to fighting through writer’s block armed with nothing but our own brain?

Or, a third option: can we somehow learn to harness AI to supercharge our writing process without sacrificing the wholly unique creativity that infuses human creation?

That’s one question that even ChatGPT can’t answer.

Editor's Note: Artificial intelligence may have already transformed writing, but that doesn't mean you shouldn't be in control of your own words. Read Astrohaus Founder Adam Leeb's statement on AI and privacy.

August 22, 2024 8 min read

While AI has capabilities that range from coding to image generation, the model that excites — and terrifies — writers is the LLM. It won’t be long before we see the world’s first blockbuster novel, written entirely by an LLM. What does this mean for art, and writers in particular? Is it all doom and gloom? The answer is, of course, more complicated than yes or no.